For whatever reason, it's not often you get a decent video game based on a movie. Rare's 1997 Nintendo 64 shooter GoldenEye 007, which ties into the 1995 James Bond film, is a glorious exception. A heart-pounding single-player campaign let gamers slip on the (doubtless immaculately tailored) shoes of the man with a license to kill. But as with other shooters on this list, multiplayer is where GoldenEye truly shines. Grenades bounce off walls, golden guns perform single shot kills, and cheaters prefer Oddjob because he's a smaller target. It was, for many, the reason to buy a Nintendo 64. One word of advice: Don't even bother with the Klobb.
^ Jump up to: a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az ba bb bc bd be bf bg bh bi bj bk bl bm bn bo "Top 100 greatest video games ever made". www.gamingbolt.com. GamingBolt. April 19, 2013. Archived from the original on October 26, 2014. Retrieved December 30, 2014.
Achtung! If Doom is the father of modern first-person shooters, Wolfenstein 3D is their granddaddy. Made by id Software and released shortly before Doom in May 1992, Wolfenstein 3D cast players as William "B.J." Blazkowicz, an Allied spy captured by Nazis in World War II. As Blazkowicz, your job is simple: Escape from Castle Wolfenstein and shoot a bunch of bad guys in the process, which was (and remains) the definition of "thoughtless catharsis"—words that to this day define so much of Wolfenstein 3D's progeny.
The Legend of Zelda and The Adventure of Link laid the foundations Link’s quest, but it was A Link to the Past that built the land of Hyrule into a world. From it’s unforgettable beginnings guiding a swordless Link through the rain, to the final showdown with Ganon and utilizing mastery of sword and bow to defeat evil, Link to the Past measured out a perfect pace of dungeons, exploration, and a gripping narrative that was almost unheard of at the time. It’s open landscape was always inviting but never felt aimless – striking the perfect balance of freedom and purpose in your quest to save Princess Zelda.
Few games have ever inspired the same sense of awe that Shadow of the Colossus does within its first 10 minutes. Climbing that first ledge and coming face to face with the first Colossus is among the most impactful, and almost terrifying, experiences in all of gaming. From its beautiful, crumbling ruins to the hulking, ancient Colossi, Fumito Ueda’s sun-soaked action/adventure game is drenched in a muted, melancholy aesthetic that has become synonymous with his, admittedly limited, works.
As Microsoft Flight Simulator to the flight sim genre, so Polyphony Digital's Gran Turismo series to hi-fi motorsport hot-rodding. Of all the Gran Turismo games, 2001's Gran Turismo 3: A-Spec for the PlayStation 2 remains the series' apotheosis, a madly ambitious encyclopedia of lovingly modeled vehicles and vistas surpassing the wildest gear nut fantasies. Here was a racing game to rule all others, that on its surface promised endless championship events framed by thrillingly realistic physics and painstakingly replicated visuals, but that also catered to armchair grease monkeys, who might spend hours fine-tuning then gawking at their drop-dead gorgeous rides.
Playdead's bleak, gorgeous puzzle-platformer builds on its predecessor Limbo in all the right places – hello, colour palettes; goodbye, boring gravity puzzles. It leaves us with a game that sleekly, wordlessly pivots from brain-teaser to body horror, until hitting an ending that ranks among gaming’s best, a masterpiece of animation, design and outright strangeness.