Super Metroid’s minimalistic environmental storytelling set a bar, way back in 1994, that I believe has still yet to be eclipsed. The planet Zebes is atmospheric, oppressive, and extremely lethal. At first glance, there doesn’t even appear to be any story. But then you start to look more closely. The parasite-riddled dead soldier outside of an early boss room. The crashed, half-submerged alien spaceship that may or may not be haunted. The techno lair of the space pirates hiding under your nose the entire game. It’s brilliant and confident. It doesn’t explain to you what each new area is all about. It’s all there, for you to figure out (or ignore) on your own.